Bend and spread, boy!
Le Noveau Monde
Part 3
A story of Longing and Rejection
This is a story of erotic fiction which contains sexual references and is meant for those over the legal age. If you are underage, please leave now.
Written by Jean-Christophe (Chris) in 2009 but never posted.
Updated December,2013.
The characters and ideas in this story belong to the writer's imagination and bear no resemblance to actual persons or events. Please, respect the integrity of the story and don't do any rewrites, make alterations or add pictures.
Part 3: "Bend and spread, boy!"
“M
Bellamont, I have one more favour to ask of you. As you can see Ptolemy is too
well dressed for a slave. I ask your permission to have him change out of his
finery into clothes more befitting a slave.”
“You
have it, Yves! I take it that you came prepared for this eventuality and have
brought a change of clothing with you?”
“I
have M Bellamont! Hiram has slave togs in his bag. If you’d just fetch them for
us Hiram we can have Ptolemy put them on and we can be on our way.”
I
watch as Hiram removes a change of clothing from the bag he’d been carrying.
Now it is plainly obvious that my half-brother had planned – and prepared – for
this eventuality. There’d never been any doubt in his mind that day’s end would
see me reduced to slavery.
There
are two articles of clothing; loose fitting trousers and a sleeveless, open
fronted shirt which is the standard issue for Belvoir’s male field-hands – as
it is for most slaves in Louisiana. But the reality is that on Belvoir
plantation, the male slaves work near naked with a minimum of clothing
comprising a brief loincloth. My late father preferred this state of near
nakedness as he felt it was “kinder” to the hard-pressed slaves as they sweated
in the heat. After all, with a slave’s copious sweating as he toils at his
labours, any clothing soon becomes wet and uncomfortable and results in
soreness and skin irritations which can impact on the slave’s labour
output.
And I always suspected that my father liked looking at the strong, muscular, near
nude bodies of his slaves as they toiled to enrich him. And of course, naked
slave-flesh is so much more responsive to the overseers’ whips.
In
time, I will discover my half-brother, Yves – or Massa Yves as I must now call
him – is miserly and begrudges every penny he spends on his slaves and their well-being. Therefore, clothing for his male slaves is the bare minimum that
modesty demands.
The
articles produced by Hiram Pettigrew are made of cheap Osnaburg; the coarsely
woven material made from flax, cotton, jute or unrefined linen which is manufactured in
Scotland and exported by the British to her slave colonies in the Caribbean and
the slave states of the United States.
Both
articles of clothing are unbleached beige in colour and they are threadbare and obviously much
worn. It would appear that I am to wear the cast-off clothes of another slave.
I
am ordered by Yves to strip.
“Shuck
off those fancy togs, boy. Let’s have you buck-assed naked!”
I’m
shocked by my half-brother’s order. Apparently, I’m not to be afforded any
privacy as I change my clothes. Obviously, I’m to strip naked in front of
everyone.
I
know nudity for a slave isn’t out of the ordinary. At Belvoir, I’d witnessed
many slaves – both male and female – being made to strip naked for an
inspection by my father and Hiram Pettigrew. Indeed it was routine before
slaves were sent to market or were being selected by them for the Belvoir’s
slave breeding programme. I’d watched as Hiram, acting in his role as stud
master, humiliatingly examined the most intimate parts of the females and
discussed their potential for producing “healthy suckers” – a euphemism for a
slave baby. Then he’d examine the males weighing and hefty their balls and
stoking their cocks to full erection commenting all the time on their breeding
potential.
Hiram
took his stud master duties very seriously and methodically chose which buck
he’d mate with a wench. He’d have the naked slaves stand side by side as
couples while he compared their bodies and discussed with my father their
potential for “dropping a prime sucker”. Hiram never hurried and always took
his time before making a final decision as to which buck would cover which
female. Like pieces on a chess board he’d reposition the slaves until he was
absolutely satisfied with each couple’s capacity to produce the finest progeny.
Therefore,
my nakedness is of no consequence to anyone other than me and as a slave, my
nudity won’t affront anyone. Nevertheless, I do hesitate and I receive a sharp
rebuke from Yves.
“I
gave you an order, boy! Do it quickly and count yourself lucky I won’t string
you up by the heels and paddle you ass when we arrive back at Belvoir.”
The
tone of Yves voice tells me this is no idle threat and I know he is capable of
carrying through with it. Several times I have witnessed as some hapless slave
was “strung up by the heels and ass-paddled”. It was a favourite form of
punishment used by my father and as a youngster he’d made me watch to “harden
my attitudes” toward our slaves.
The
barbarity of the “ass-paddling” had sickened me; however, as a teenager I’d
also found them highly erotic and I’d always watched in a state of full
arousal. Indeed, there were occasions when, through my inexperience, I’d
spontaneously ejaculated into my undergarments.
Watching
as corporal punishment was administered to a helpless slave was visceral and
struck a primeval chord within me. The site of a naked buck suspended by his
heels from a rafter in the barn and with his legs pulled widely apart emphasised
the slave’s powerlessness and my father’s absolute mastery over him. As the
slave waited with wide-eyed fear for the first strike of the paddle, he’d
babble incoherently through his ball gag – I suppose the one in my mouth has
been used for these occasions - and he’d struggle violently to free himself.
The
paddling had always been administered by the slave Brutus – the same one who
holds me firmly in his vice like grip - and he’d strip naked for the occasion.
I was never sure why he did this; perhaps it was a requirement of my father’s sadistic
lust but the spectacle of a naked slave hanging upside down being ass-paddled
by a nude, massively aroused Brutus was always powerfully evocative. It
reminded me of pictures I’d seen in my father’s books about slavery back in the
days of the Roman Empire – a period of history that my father always related to
and it was the source for the naming of some his house slaves.
The
paddle used at Belvoir is made of thick perforated leather and is, in Hiram’s
words, designed to “blister a slave’s ass, good and proper”. Hiram openly
boasts how a slave won’t be sitting down anytime too soon after his paddling
and would be sleeping on his belly. And wielded by Brutus, it is indeed a
fearsome implement of pain.
The
sickening “thwack” of the leather paddle striking naked flesh reverberated
loudly around the closed confines of the barn and drowned out the muffled cries
of its hapless victim. Each blow set the slave’s body swinging like a pendulum
and there was always another slave on hand to grab hold of him and to steady
his body ready for the next strike.
All
too soon, the slave’s ass was bright scarlet and the paddle’s perforations
raised coin sized blisters which ensured the slave felt his punishment for many
days to come. But worse was to follow. Always, after an ass-paddling, my father
insisted that pimentade and coarse salt be applied to the slave’s abused
buttocks.
Father
claimed the pimentade and salt were efficacious in the healing process and
prevented any permanent disfigurement of the slave. Whether or not this is true
is open to conjecture but I do know it added another dimension of agony to the
slave’s already appalling suffering.
As
Hiram callously rubbed the salt onto the slave’s inflamed buttocks no thought
was given to his discomfiture. Quite obviously, the salt stung the lacerated
flesh but it wasn’t until the pimentade was liberally applied to the slave’s
body that his true suffering began. It always seemed to me that Hiram was too
liberal in his use of the pimentade. Using a special sponge on a wooden handle
he’d generously “paint” the slave’s ass several times before pouring the fluid
into his ass-crack. I’d watch as the fiery liquid slowly trickled down
through the cleft and over the twisted, contorted muscles of the slave’s back.
The
slave’s cock-shrivelling shrieks of pain – even the gag couldn’t completely
mask them – gave eloquent testimony to his suffering. I could only imagine the
unbearable pain he felt as the astringent mixture set fire to the tender flesh
of his anus and testicles.
Even
more heartrending was the sight of the slave’s futile attempts to ease the pain
of the pimentade as he thrashed around in his bonds. Like some convoluted,
obscene dance his body twisted and contorted itself so violently that it shook
the stout, oaken rafter from which he hung suspended.
Once,
I questioned my father about the ingredients of the pimentade. He wasn’t all
that forthcoming and simply told me that an old slave woman prepared it from a
recipe that included the juice of limes, ground chili powder, cayenne pepper
and some other ingredients.
So,
I am all too aware of what is involved in an ass-paddling and I know from the
vehemence that Yves is showing towards me that he is capable of carrying
through with his threat to “string me up by the heels and to paddle my ass”. My
fear of such is so great that I begin to undress.
I
remove my jacket and waistcoat and very carefully fold them and then look
around for somewhere to place them. Silently – and I sense sympathetically - M
Bellamont indicates that I can place them on a small table standing against a
side wall. As I do so, the door opens and M Arceneau and his clerk enter the
office.
“The
papers have been drawn up, Franҫois?” M Bellamont asks M Arceneau.
“Yes
Barthélemy! All that is required is for us to sign them and to ask out clerk to
witness Yves signature. Then the person formerly known Thierry Guillaume
Broussard will officially become the slave ‘Ptolemy’ the legal property of Yves
Benoît Broussard of Belvoir Plantation.”
I
watch as the two attorneys sign the document that condemns me to slavery and
suddenly I am convulsed by a violent shivering. How can this be happening to
me? When I awoke on the riverboat this morning such a thing would have seemed
incomprehensible. But it is happening and I hear Yves being asked to sign the
paper that will see me become his slave.
As
he walks to the desk, he pauses long enough to slap my face and to reprimand
me.
“Boy,
you were given an order to undress. Continue or I really WILL have your ass
paddled. Shuck down! Do it - NOW!”
As
Yves signs the document, I untie my cravat and strip to the waist by removing
my shirt. Then I bend to unbuckle my shoes and to remove my leg hosing. All
that remains now is for me to step out of my trousers and undergarment. Despite
my fear of Yves’s anger I hesitate to take this final step that will see me
stand before the two attorneys, Yves and Hiram Pettigrew as a naked slave. Even
Brutus is to watch my shame but as a slave he is of no consequence. Nudity
between slaves is normal.
I
see the red flush of anger suffusing Yves’s face and I know I have delayed too
long. His words confirms this’
“Your
intransigence has just earned you ten strokes of the whip when we arrive back
at Belvoir.”
His
words chill me and, white-faced, I apologise.
“I’m
sorry, Yves!”
This
time, Yves slap to my face is delivered with such force that I’m thrown off
balance and knocked to the floor. And he orders me to.
“Get
up! And as a slave you are now to call me Massa Yves like all my slaves!”
As
I scramble to my feet, I see their sympathy for my plight reflected in the
faces of the two attorneys; embarrassed by what they are witnessing, they look
away. I wonder do they remember me as the small boy who’d accompanied his
father on his visits to them. Can they remember me sitting quietly in a corner
of the office busily drawing on the paper which they’d kindly given to me to
while away the time as they talked business with my father?
Now
stripped to the waist and shoe-less, I hastily unbutton my trousers and allow
them to fall in a heap around my ankles before stepping out of them. Only my
underpants are between me and total slave nakedness. I look towards Yves hoping
that he will save me from this ultimate humiliation. Surely, he must have some
residual affection for me; I am after all his half-brother. My eyes plead with
him to no avail. He curtly orders me to.
“Continue,
boy!”
I
have no other recourse but to obey Yves’s command. Already, he has sentenced me
to ten strokes of the whip and any further delays on my part could see that
number increased.
I
hook my thumbs into the waistband of my undergarment and ease them down over my
legs. As I bend at the waist to remove them, I’m acutely aware that my nether
regions are exposed to the scrutiny of all those present in the room. I feel
the stretching of my sphincter as it opens up and I feel the full weight of my
balls hanging low between my thighs.
Now,
totally naked, I stand with bowed head and cover my genitals with my cupped
hands in a futile attempt to retain some level of personal dignity.
“Put
your hands behind your head and stand up straight!”
Yves’s
- or as I must now call him, “Massa”- command is imperious and not to be
ignored and I take up the position he demands of me.
“Well
Hiram, now that you see him buck naked, what’s your opinion of Ptolemy?”
“The
boy looks to have good potential. I bit lightweight but from what I can see the
building blocks are there. May I finger him at close quarters?”
“If
M Bellamont and M Arceneau have no objection I most certainly don’t.”
Even
as they give their reluctant consent for Hiram’s inspection of me, I sense the
attorneys distaste at having a naked, slave buck examined by an overseer in the
inner sanctum of their august law chambers. Nevertheless, the owners of Belvoir
Plantation have always been among their most valued clients and, no doubt, they
are anxious for this to continue. Therefore, it is easy for them to temporarily
put aside their distaste and to watch impassively as Hiram “fingers” me.
I
have the body of a typical eighteen year old. I have reached my full height of
a shade just over six feet and I am large framed. However, my muscular
development has yet to reach its full potential but for all that I have no
reason to be unhappy with my physique. My youthful musculature is clearly
defined and provides a good foundation for stronger development.
And
I have been told that I have comely features with my grey eyes, full red lips
and even white teeth. I have a thatch of thick, black curls and my limbs have a
light covering of down to match. A darker treasure trail wanders down the
centreline of my belly to my pubes connecting it to my chest hair. My skin
complexion is a light golden colour – something I’d always thought enhanced my
appearance – but now it would appear it defines me as a “person of colour” and
a mulatto slave.
I
stand passively as Hiram’s hands travel down over my body expertly gauging my
potential as a slave. His manner is business-like and I instinctively know that
I am being appraised by a connoisseur of prime slave flesh. Somehow, the
impersonal nature of his inspection diminishes me as a person. Under his expert
hands, I am no longer a man; I have become an animal or a beast of burden being
assessed for my strength and work potential.
Hiram
visits many indignities upon me as he squeezes my biceps feeling for their
hardness then pounds my chest as a test of its soundness before forcing my
mouth open to inspect my teeth. His inspection also involves giving a running
commentary on my body to my Master. He turns me around and gauges the width of
my shoulders before his searching hands sweep down over my back to the twin
curves of my ass-cheeks. He takes hold of an ass-cheek in either hand and
kneads them just as a baker would with his loaves and tell Yves that I have an
ass like a “working bullock”. He adds that this is a good thing as much of a
slave’s strength and capacity for hard work comes from having a muscular ass
and strong legs.
But
the worst indignity occurs as he subjects me to a close quarter examination. He
perfunctorily orders me to.
“Bend
at the waist, boy!”.
I
feel his left hand resting on top of my ass as he parts my buttocks and runs
his finger up and down my ass-cleft. Then, without warning, he thrusts a finger
into my anus. I’m taken by surprise and begin to squirm uncomfortably as his
finger probes deeper into the recesses of my rectum searching for my prostate
gland. For my efforts, I am rewarded with two sharp slaps to the buttocks and
told to.
“Stand
still, boy while I check out the health of your ass!”
His
probing finger makes contact with my prostate and he comments favourably on my
good response. Satisfied, he withdraws his finger and contemptuously wipes it
on my back before parting my legs to give him easier access to my testicles. He
tugs down on my scrotum and rolls each ball between his finger and thumb before
hefting them in his cupped hand. He tells his watching audience that.
“The
boy has a good pair of gonads!”
I’m
familiar with the term “gonads”. It is
used disparagingly by white slave holders when talking about their slave’s
testicles and I’d heard my late father use it countless times over the years.
Hiram
repositions himself and reaches between my legs to under my belly and clutches
hold of my penis; he pulls back on it and begins a stripping action very
similar to milking a cow. Despite my shame, I find myself responding
unwillingly to his manipulations and my cock thickens and lengthens. This
pleases Hiram who smiles at my half-brother and tells him.
“Yves,
he’s a helluva fine, young buck! He’s
well hung and he’s hair-triggered too with an excellent response. You could
well have yourself a potential breeder with this boy.”
To
hear myself described as possible ‘breeding buck’ fills me with dismay.
Suddenly, my mind is transported back through the years to the time when I’d
illicitly watched the mating of one of my father’s slaves to the Reverend
Winterbourne’s female slave. I recall how Hiram had stood behind the young
slave and applied his “viper” to his ass urging him to thrust harder and deeper
into the wench. Is this the fate that now awaits me? I am full of revulsion and
yet I know there can be no escaping such an appalling prospect if Yves, my new
Master decides on this course of action.
Hiram
has finished his fingering of me and I am ordered to.
“Boy,
straighten up, put your hands on top of your head and face the front!”
He
delivers his verdict on me.
“Yves,
there’s no doubting that he’s a true son of Ham! One only needs to look at the
size of his cock and balls to know he’s not fully human. No white man could be
hung as heavy as he is. It ain’t natural. He’s built like a proud, young
stallion. You’ve got yourself a prime young buck with this slave.”
“What
about his immediate future, Hiram? What do you recommend for him?”
“My
recommendation is that you use him as a field-hand. Although he’s well set-up,
he does need the conditioning of the type that comes about through hard labour.
Just look at his muscles; they are well-defined but soft. They need hardening
up. A few months hoeing cotton in the fields or cutting sugarcane and you won’t
know him.”
“Well,
Hiram, initially, I had thought of using him as a house boy!’
“And
you still can, Yves! But first build on his physique, toughen him up and
condition his mindset to that of a slave. Give him twelve months as a field
slave and he’ll be broken in and most biddable. Twelve months under the whip
will teach him obedience and make him most docile. And after all, isn’t that
what you want – an obedient slave? You
don’t want an unbroken, untried slave working in your home, do you?”
“No
Hiram, I guess you’re right! Very well then, Ptolemy will spend time in the
fields learning to be a slave. I give him over to your supervision.”
“Thank
you, Yves! I promise you won’t be disappointed. I’ll turn Ptolemy into a tamed
slave for you. But with your permission, I’ll have him dress and we’ll be on
our away. As you know, I still have supplies to pick up from around town before
we head out to Belvoir. I’ll take Ptolemy and he can help Brutus load up the
buckboard.”
“You
have it Hiram! I still have papers to sign with M Bellamont and M Arceneau
before I ride out to Belvoir. However, there’s no reason for you to wait around
on me. You should be about your business and I’ll see you back at the
plantation.”
Hiram
retrieves the Osnaburg trousers and shirt and contemptuously tosses them at my
feet.
“Boy,
get these togs on and be quick about it! They reek to high heaven but that
won’t worry you as you add your own slave stink to them.”
I
welcome the chance to cover up my nakedness even if it is with a slave’s clothing.
I have two items to wear; just the trousers and shirt. There are no
undergarments – such things are unknown to a slave – and I am to go bare-footed
which is normal for slaves at Belvoir.
The exceptions to these are house servants who wear the more elaborate
satin uniforms and buckled footwear of the footman or the parlourmaid. But I am
to be a field-slave and will therefore remain barefooted.
I
hastily scramble into the faded beige trousers which are unwashed and reeking
from the copious sweating of their previous wearer. They are of the slip-on
type; there is no fly opening and incongruously it flashes through my mind what
I must do if I need to piss. The tattered legs barely cover my calves and they
are very loose fitting around my midriff. I stand holding them up and wonder
what to do next. Obviously, if I let go my hold on them they will slip down
over my hips into a crumpled heap around my ankles.
However,
Hiram tosses me a length of coarse, hempen rope with frayed ends to serve as a
belt. As I tie it around my waist, he tells me to.
“Hurry
along, boy! I haven’t all day to wait on you.”
All
that remains for me now is to slip the ragged, sleeveless shirt over my
shoulders. There are no buttons to be fastened and the open-fronted shirt leaves
me almost bare-chested.
I
now wear the garb of the common field-slave - soon to be replaced with a brief loincloth - and any lingering doubts I have
about my true station are quickly dispelled as Hiram Pettigrew bids farewell to
the two attorneys and takes his leave of my Master. I listen to their conversation
and learn that Yves will ride directly back to Belvoir while Hiram picks up
supplies from a riverside warehouse before he begins the slow drive back to the
plantation.
Tears
mist my eyes. This morning, I’d awoken with such high hopes of re-uniting with
my half-brother Yves and his family and I’d been excited at the prospect of
seeing Belvoir Plantation and its beautiful colonial mansion set amid its lush,
green gardens. These hopes had been cruelly dashed. It’s true; I have been
reunited with Yves, not as his brother but as his slave.
And
my dreams of a joyful return to Belvoir have turned into a nightmare. Rather
than my triumphant return as one of its co-heirs, I am returning as a slave now condemned to work out my days at Belvoir toiling under the overseer’s
lash as a common field-hand.
And
as though to drive home the message that I am now under his control, Hiram
unclips the “viper” whip from his belt and lightly flicks it against my ass.
“Move
your sorry ass, boy! There’s work to be done. And you too Brutus unless you
want a taste of the snake on your ass.
There’s
no pain in his action; just contempt and the humiliation of being driven on
like a dumb animal I’ve become.
The
clerk escorts us off the premises out into the early afternoon sunlight of the
busy street,
Hiram
orders me into the back of the buckboard and chains my ankle to a ring-bolt. As
he does so he tells me.
“We
don’t want you trying to make a dash for freedom, do we? Least ways not before
you wear the Belvoir brand. Nor do we want a valuable slave like you falling
off and injuring yourself. Now you just rest easy and sit quietly until I need
you to help Brutus load up with the goods for Belvoir.”
Hiram
climbs into the seat alongside Brutus and tells him to.
“Drive
on!”
I
have begun my sorrowful return to Belvoir Plantation.
To be continued
The picture used to illustrate this chapter is part of a larger artwork by Amalaric. The text is mine.
You wrote this tale to torture me. Now, just reading, I come. Thanks!
ReplyDeleteChris,
ReplyDeleteI'm elated in reading this new Masterpieces of yours that is totally new for me.
My warmest admiration for this new outstanding Piece of Art
Karel